Cap fragment, earflap

One of four (A6335-A6338) ear- or cheek-pieces from a knitted woollen cap, 16th century, from Finsbury. The long lozenge or spearhead shaped ‘earpieces’ mostly survive separately from the caps, often with a cut at the top where it has been taken off. They were knitted separately in a tubular shape and stitched on either side of the head. However, since these long side pieces cover little of the ear and more of the jaw and neck under the chin, like a scarf, cheek pieces is a more accurate description.

The piece was bought from the artist (John) Seymour Lucas in 1913 and may have formed part of his set of studio costumes and props used in historical genre paintings. No further details of its finding is known. Workman in the early 20th century digging deep foundations for new buildings around the City of London found many pieces of clothing and textiles buried in the earth. Many are in a good state of preservation and may have been lost from wearers’ heads or discarded when they became unfashionable (from around 1570), thrown into the City ditch and cesspits. Unfortunately, because these were not formal archaeological excavations, any strata details or contextual material such as pottery that would help date the caps more closely were lost.

TECHNICAL INFORMATION

The fulling process has made the cheekpiece very stiff, with no elasticity or ‘give’ at all. The feel is more like crisp felt than soft knitting. The woollen yarn has a hard twist to it, much more tightly spun than modern yarns. This gives the density of fibres that creates the very fine, dense, velvety nap remaining on some caps. Where it exists, the pile entirely obscures the knit loops underneath. The fulling can also make it difficult to determine the yarn spin direction.

Yarn - Z spun, 2 ply. 6 stitches per inch. 9 rows per inch. Munsell Colour Value 10YR 2/2. The ground yarn is the same colour as the remaining pile, suggesting it was yarn-dyed or is the natural wool colour. Width 7 inches; length 4 1/2 inches.